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Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda.

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original title: Red State

genge: Action,Crime,Horror,Thriller


imdb: 5.3

duration: 1h 28min

tags: Love thy neighbor

budget: $4,000,000

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Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda. In the Midwest of the USA, three sex-crazed teenage boys receive an invitation from a woman online who wants to hook up with them. When the three friends arrive, they soon realise their promise of sex is a trap and soon they must escape from the deranged leader of a Christian Fundamentalist cult. Director and screenwriter Kevin Smith made films which prove the value of independent cinema and its narrative virtues, which were more than enough to compensate the reduced resources with which they had been made. Clerks, Mallrats, Chasing Amy, Dogma and Jay and Silent Bob Strike Back were refreshing discoveries whose "vocie" defied the Hollywood conventions. However, when Smith's indie fame impulsed him to the mainstream, he made the atrocious films Jersey Girl and Cop Out (even though on the other hand, he also made the very entertaining films Clerks II and Zack and Miri Make a Porno). Maybe, feeling disappointed with those experiences, Smith decided to go back to his independent roots, but not with a comedy about the New Jersey "slackers", but with a fierce satire of the religious extremism which is unfortunately not very distant from the reality. The film is Red State, and even though I would not consider it among his best movies, it was a definitely very interesting experience which displays a darker and more reflexive side from Smith.

In some websites, Red State is classified as a horror film, but I do not think that is an appropriate label. It certainly includes suspense and gore, but its tone is rather dramatic when it shows us the consequences of the crash between inflexible attitudes about sex, politics and religion. However, Smith does not pretend to bring us an elementary moral lesson, with "bad ones" and "good ones" as imaginary extremes of a same discussion. On the opposite, it can be noticed that his genuine intention was showing the points of view from the characters on a balanced way, as extreme and absurd they might seem to us. I am not saying that Smith is completely impartial; there certainly is a socio-political message in the movie...but he does not try to induce us to his point of view either; he simply presents factions convinced of their own reason, and he leaves us the homework of deciding who we will affiliate ourselves with: Do we agree with the religious extremists disposed to kill in order to fulfill with the dictates of the Bible? Or do we accept those violent manifestations as one more face of the "terrorism" the government must eliminate? Or do we maybe trust in the tolerance as a magical tool to make the coexistence between opposed and incompatible ideologies possible? Needless to say that not all of those postures end up as "winners" in the film, but they are present in order for us to identify ourselves with the one which suits with us the best. And that position will define whether Red State is a satire, a protest or a tragedy to us.

As for the production values, Smith has considerably evolved from the poor cinematography and static shots of his first films. It is obvious that Red State was filmed with a low budget, but thanks to cinematographer David Klein and Smith's dynamic direction, the visual professionalism from the film exceeds its limited resources. Combining creative camera sites, subtle movements and even dynamic hand-held sequences, Red State ended up being one of Smith's most polished movies. Besides, the whole cast brings excellent performances, highlighting Michael Parks, John Goodman and Kerry Bish辿.

The complaints I have against this movie is that the screenplay includes some forced details which feel out of place, and that a few elements should have been better polished. However, I liked Red State pretty much, and I can recommend it as an audacious and very interesting movie with a strong social message. I've never felt the urge to write a review before but... I'm only 3/4 through this film and I had to register with IMDb to let the masses know that this is not a good film. It might be better if you don't know who Kevin Smith is, I noticed it had a bad review when I got it but thought "hey its Kevin Smith how bad could it be" how wrong I was. If you're the curious type then give it a blast and for any fans of the director it might be worth 88 minutes of your life too but only to see how bad things can be. I hear that Samuel L turned down the role of the main agent, the obvious next choice would be John Goodman!?!?!?WTF, thought he was going to distend his rectum yelling into the radio at one point. Loved Roseanne tho.

Peace. Red State is as profane and anti-establishment as any of his other films, but the stakes are infinitely higher this time: This Kevin Smith movie has an astonishing body count. Although it was initially suspected that it would be a slasher film, it is actually more like an action thriller. The horror is derived from real life hatred and the violence that people are capable of committing. Also unlike most slasher films, all violence and death in Red State is done with firearms. The movie however does feature numerous horror genre tropes where comparisons can be made between it and The Devil's Rejects and The Texas Chainsaw Massacre. It is not based on an actual story but is inspired but various real life events. The villain is a composite of Fred Phelps, Jim Jones and other leaders of religious cults. The events of the story are also quite similar to the Branch Davidian tragedy in Waco, Texas. During the shootout with the ATF and Five Points Church, the congregation's children are hidden in the attic. Later the teenage church member Cheyenne tells them to escape out the back and they are not seen in the film again. During many of Kevin Smith's Q&A appearances for the film he has said that if you listen to the background audio there is the sound of children screaming in the distance soon after the scene when Cheyenne and Jared are killed. Smith said he intentionally chose not to reveal the exact fate of the children. Kevin Smith's first drafted ending for Red State was to have the climactic shootout at the church end when the true apocalypse begins: Trumpet blasts herald from the sky which turns blood red and is filled with angels, one of which impales Pastor Cooper with a flaming sword. Given the film's $5,000 special effects budget this ending was logistically impossible yet elements of it inspired the film's final ending. No. This movie is a stand alone story. It does not contain (ex: Jay and Silent Bob) any characters or overt references to previous Kevin Smith films.


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Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the 60s and 70s with two back-to-back cult films that include previews of coming attractions between them.

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original title: Grindhouse

genge: Action,Horror,Thriller


imdb: 7.1

duration: 3h 11min

tags: A double feature that'll tear you in two!

budget: $53,000,000

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Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the 60s and 70s with two back-to-back cult films that include previews of coming attractions between them. A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics. Looking for a Great time ? If you enjoy over the top films with some violence and blood Then these films are for you.

3 hours and 15 minute running time, so make sure you are near the restrooms .

Rodriguez and Tarantino team up with a pair of features, dedicated to the 60,s and 70,s Grindhouse movies, that are limited in budget and in their release, and replayed numerous times , going from city to city basically driven overnight.

Movie One:

Planet Terror deals with present day people, from a small town, being transformed into zombies due to a release of some experimental gas from a nearby military base .

Josh Brolin,Rose McGowan,Jeff Fahey, Bruce Willis are just a few of the stars in the schlock infected gore fest, with LOTS of laughs . It is a HOOT.

McGowan a dancer(stripper) dissatisfied with her life, tries to leave the small town she feels had limited opportunities. At a nearby military base, gas has escaped that transforms people into flesh eating zombies(vampires). A few of the residents band together to try and stop the onslaught. Get ready for a wild time !!! Whether they succeed or not doesn't matter, it is just a well made film for fans of this nature.

Allot of cameos, great dialog. Look for Tom Savini as one of the deputies,a veteran actor in zombie and vampire movies . He gets it REAL GOOD . Previews: Don't miss these during the intermission. Great fun.

Movie Two:

Death Proof deals with a present day stuntman who has a desire to kill women with his car. Kurt Russell stars as misogynist "Stuntman Mike." He stalks women and then runs them down at the nearest opportunity ! This is a Great premise from the gore-fest angle , but Tarantino doesn't completely finish the job .

Zoe Bell, Rosario Dawson,Tracie Thoms, Mary Elizabeth Winstead, are 4 of his intended victims, who are traveling through town to look at a 1970's white Dodge Challenger, when you know who shows up.

Russell , cast against type plays right into the role and is terrific ! Terrific stunt work by Zoe Bell keeps you on the edge of your seat.

All in All an Action Packed Experience.

The one flaw, if it is a flaw is the development of the story in Death Proof. The stuntman is played as a vulnerable and human character, and his car changes, which makes it less than super, also, I was thinking there should have been an alternate ending. The final cut was less than I expected from Tarantino, not really a criticism, but he seems to be mellowing.

This movie should be viewed more than once, just for its' content, allot to see. I gave it a 9... Call the Cool Police but am I the only one who thinks Tarantino is a one trick pony? He established his trademark snappy dialog and pop culture referentialisms with his first two films and has been trading on that success ever since! Like a Bon Jovi concert, each and every effort tries and fails to recapture the spirit of the original, only to fall back on the tried and tested to save its ass. Everyone has been wetting their pants about the whole Grindhouse thing ever since the banana-chinned one first starting blabbing about it, but I'm not too sure why - surely for two experienced filmmakers it should be no trouble at all to copy a sub-genre that at best is cult viewing and at worst a load of old balls, poorly scripted, poorly acted, poorly produced - so why should such filmmakers be given huge credit for recreating such shoddy films on a much larger budget?

Having said that, Robert Rodriguez's 'Planet Terror' is an excellent example of everything these types of films should be - humor, fighting, sex, loose storyline only held together by the sheer unbelievability and gross out quality of the action sequences, and the so-bad-it's-good effects that gave all such low budget gore-fest such a cult status. Basically every aspect needs to be way over the top and Planet Terror delivers in buckets, from the deliberately hammy performances from actors we know can really act, to the excellent 80's John Carpenter style soundtrack, and an excess of blood and exploding body parts I haven't seen since Peter Jackson hung up his butchers chopper. Great fun.


I for one much preferred Planet Terror to Tarantino's effort - Death Proof - which is 20% grind house and 80% typical Tarantino fodder whereby the characters spend what seems like an eternity exchanging snappy one-liners and pop culture references, while offering almost nothing in the way of character or narrative development. Further more, for its 90 min run time, the first 45mins is spent with a load of characters that you never see again.

I guess it could be argued that Tarantino cleverly turns horror conventions on its head by forcing the viewer to invest time and energy in these characters, only for them to be suddenly snatched from us in an original, but not wholly unexpected way, thus calling into question our preconceptions of everything we may see thereafter. A notion further suggested by the introduction of the new (yet very similar) characters in the remaining 45mins - supposedly we should be expecting a repeat of the first act, but it is clear from the off that these girls are very different from the last unfortunate bunch.

If this generic tinkering was his intention it didn't work for me. I was left with a feeling that I had just wasted the best part of an hour of my life watching attractive women spouting unlikely Tarantinoisms, only for the whole thing to begin again with a load of new, yet equally attractive characters doing exactly the same thing. I have heard that Tarantino has said these girls talk just like women talk today - well I don't know what women he's hanging out with, but most of the girls I know are not anywhere near as rapier-witted, poetic or downright pretentious as this lot. I think it's more a case of this is how Tarantino would talk today if he was a woman. There's far too much exposition and choreographed dialog that tries desperately to recreate some of the genius scripting seen in Dogs or Pulp Fiction. Unfortunately it fails on all counts, and while the car chase scene is impressive, it is completely at odds with the rest of a movie that is far too well acted, slick, and rehearsed to be considered part of the Grindhouse canon. Ultimately, we are left with characters we don't really give two shits about, so the Thelma and Louise style retribution is solely for comic effect from caricatures - a tone that is lowered to limbo height for the abrupt farcical conclusion crudely tacked onto the end as if to say "see, I was only messing about! Look how funny and violent Grindhouse is Tarantino style". Kurt was on good Snake Plisken form though, frowning and growling his way though, and all credit to Zoe Bell though, who for a stunt woman put in an excellent acting performance - though if your stunt woman is getting credit for her acting you know the film has gone wrong somewhere.

If Tarantino had wanted a slapstick Charlies Angels with added "MotherF*#ker!" business he should'v made one from the out set. I was left with a feeling that poor old Quentin was happily making another Tarantino movie, until someone (probably Rodriguez) reminded him that this was supposed to be a Grindhouse flick. Of course I could be taking it all too seriously, as neither film is supposed to be taken as a piece of cinematic art, but where Planet Terror succeeds in introducing the genre to a new breed of movie-goer with tongue firmly in cheek, Death Proof feels more like the bastard offspring of Pulp Fiction and Britteny Spears's Crossroads

than Grindhouse, like we'v seen and heard it all before, but much much better.

I'd give it 7 out of 10 for both films or 8 for Planet Terror alone or 5 just for Death Proof. Don't believe the hype people. By stooping low without selling out, this babes-and-bullets tour de force gets you high on movies again. A "Grindhouse" was a type of inner city theatre that would play all night marathons of low-budget exploitation films in the 1960s, '70s and early '80s. These down 'n' dirty theatres would often show offbeat ultraviolent and sexually charged films under the categories of Kung Fu (Shaw Brothers films), Hixploitation (White Lightning, Gator Bait), Blaxploitation (Shaft, Coffy, Superfly, Dolemite, The Mack), Sexploitation (Supervixens, The Swinging Cheerleaders), Zombie and Cannibal films (Dawn of the Dead, Zombi 2, Cannibal Holocaust), Biker films (The Wild Angels, The Glory Stompers, The Savage Seven, The Losers) among hundreds of other subgenres. In the suburbs during the 1960s and '70s, Drive-ins were the equivalent to the inner city Grindhouses. You could see many of the same kinds of films from the convenience of your car. The title of Robert Rodriguez and Quentin Tarantino's first collaboration From Dusk Till Dawn (1996) was named after the catch phrase for the all night Drive-in movie marathons. Both Robert Rodriguez and Quentin Tarantino grew up watching these kinds of films in Grindhouse theatres and drive-ins in the 1970s and early 1980s. When they became friends in the early 1990s they often held Exploitation film double features in their own home theaters (and also at QT's Film Fests in Austin, Texas). Flash forward to 2006, the two moviemaking pals decided to recreate these wild nights for movie audiences around the world by making their own traditional Grindhouse-Drive-In double feature extravaganza complete with two raunchy horror films, fake exploitation film trailers, ads and other cool treats. First: Robert Rodriguez brings us "Planet Terror" in which a town is overrun by disease infected sickos. Then comes Quentin Tarantino's "Death Proof", in which a serial killer named Stuntman Mike murders people by the use of his stuntcar instead of a knife or machete. "Robert's film is Horror, it couldn't happen, but mine is Terror because it could."Quentin Tarantino Before or in between the movies, there will be a series of fake movie trailers (as it was customary in old grindhouse theatres to show coming attractions in the double features). Robert Rodriguez presents a Mexploitation trailer starring the hard boiled actor Danny Trejo in the title role of "Machete". Edgar Wright (director of Shaun of the Dead) presents "Don't", a "70s style British horror film". Rob Zombie presents a Nazisploitation-sci-fi-horror flick "Werewolf Women of the S.S.", starring Sherri Moon Zombie, Sybill Danning, Udo Kier, Bill Mosely and Nicolas Cage as the legendary Asian mastermind Dr. Fu Manchu. Eli Roth's (Hostel) fake trailer is an ultraviolent homage to 1970s/'80s holiday themed slasher films called "Thanksgiving". An additional fake trailer called "Hobo with a Shotgun", created by Dartmouth, Nova Scotia filmmakers Jason Eisener, Rob Cotterill, and John Davies for Robert Rodriguez's SXSW Grindhouse Trailers contest, has been included in Canadian theaters. "Hobo with a Shotgun" is attached to the other regular trailers played before the main feature presentation which begins with "Machete". (1) Jason Eisener's, Rob Cotterill's and John Davies' "Hobo with a Shotgun" trailer [Canada only?], (2) Robert Rodriguez's "Machete" trailer, (3) Robert Rodriguez's "Planet Terror", (4) Rob Zombie's "Werewolf Women of the SS" trailer, (5) Edgar Wright's "Don't" trailer, (6) Eli Roth's "Thanksgiving" trailer, and (7) Quentin Tarantino's "Death Proof". Contrary to popular rumor, the missing reels idea in "Death Proof" and "Planet Terror" were not true staples of Grindhouse moviegoing. While many Grindhouse films would be missing frames, they were never missing entire 20-30-minute reels. The concept for this came from a film Quentin owns ("The Sell Out" starring Oliver Reed) which had a missing reel. He found he enjoyed watching the film with a chunk of the film's plot missing because it created an interesting mystery about what actually happened in that part of the film. This idea was then transferred to the two Grindhouse features. It also helped cut down the runtime for the movie's theatrical run. There was some controversy in the distribution overseas for Grindhouse. Because most non-English speaking territories might not understand the tradition behind a double feature, the underlying concept might be lost. There were decisions being made as to which countries will get Grindhouse, and which will get "Grindhouse: Planet Terror" and "Grindhouse: Death Proof" After the Boxoffice flop in the North America, Weinstein decided to split up the movie in all other countries, including earlier announced double feature countries like the UK and Australia. Although some people have criticized, sometimes harshly, the look of the film because of its manual "aging" process, it is actually a good thing. First of all, they helped in the rating procedure of the Motion Picture Association of America (MPAA). There had been a concern about the nudity and violence during one of the deaths in Roth's segment "Thanksgiving". Before the final submission to the MPAA, "age" spots were strategically placed on the area of frame where it showed the nudity and violence, where it suddenly became implied instead of being visual. Secondly, it keeps with the presentation as Tarantino and Rodriguez intended the film to look like, as if you got a well worn print of a film that had been making the distribution rounds for a good while and decided to show it one day. Since the theatrical version of the film is what they strived for to presented to the public, it would be considered their "director's cut". The DVDs will have two versions of each film: the theatrical version and a "restored and remastered" version of the film which is basically the films before undergoing the "aging" process. Also, take into account there are versions of both films pushing 2 hours, due to the fact they are being split up in other countries. So, the DVD may incorporate these versions as well, making a 250-minute version. Only 18 seconds is supposedly deleted from the original cut from an interview on G4TV.


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After a dark force conquers Canterlot, the Mane 6 embark on an unforgettable journey beyond Equestria where they meet new friends and exciting challenges on a quest to use the magic of friendship to s

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original title: My Little Pony: The Movie

genge: Animation,Action,Adventure,Comedy,Drama,Family,Fantasy,Musical,Sci-Fi


imdb: 7.7

duration: 1h 39min

tags: Witness a movie event of pony proportions.


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After a dark force conquers Canterlot, the Mane 6 embark on an unforgettable journey beyond Equestria where they meet new friends and exciting challenges on a quest to use the magic of friendship to save their homeland. After a dark force conquers Canterlot, the Mane 6 - Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Fluttershy, and Rarity - embark on an unforgettable journey beyond Equestria where they meet new friends and exciting challenges on a quest to use the magic of friendship to save their homeland. Other movies will be remakes of other movies. Which makes it worse and worse. But this movie. got a 47 rotten tomatoes..Come on people. How about 63. No ok. But still. The 2D animation makes it look so Unique and Gorgeous. For me the movie rating would be 10/10. Best movie of 2017. I recommend for you to see it! I haven't seen the series until 2 weeks before the movie came up. When it was announced, I had my complains since I never watch the show. Until a friend of my recommend me the series, I watch it and I absolutely like it for the way the make the story, the time line, the characters, the animation, the humor, the song, is a good series after all. And I was expecting the same whit the movie and... is just OK. Nothing great, nothing bad, just OK.

Let's say the bad things: The writing is bad. Not as bad as Emoji Movie or The Star, or even LEGO Ninjago, just bad. What do I mean? The movie can be predictable and cliche. And that's a issue that even the series suffer. It has cliches like "The layer reveled", "The queen who doesn't help", "The main character using their friends for distraction so he/she can do something wrong" and "The main villain reveling he lied to somebody by using to do something and saying he won't do what he made". And maybe if they make fun of them, that would be fine, but they literally said what everything has said already. Another issue is some of the characters, like Micheal Pe単a voices Grubber, Tempest sidekick who doesn't do anything in the movie other than be whit Tempest and saying lame jokes about cakes and The Storm King, a sinister and stupid villain that wants to be funny and scary at the time and both failing whit some lame quotes and only appearing a little in the second act and giving him a main role in the climax. There are some jokes that are not funny apart of the jokes of the characters that I don't like. Like there's a joke referencing a game called "Hungry, Hungry, Hippos". Some characters are even pointless since they don't do anything like the princesses and some could be more helpful like Discord or Starlight or Quibble Pants. And finally, Twilight. I do not hate this character, I think she's decent in here since she's interesting and funny, but she doesn't have any development whit the new characters apart of Tempest in the end. She barley interacts whit them and that's it, she doesn't have any message or scene that discovers that she was wrong and apologies whit the new characters other than the Mane 5 and Spike. And in the end, you see Twilight whit the new characters and the movie makes you believe that they're friends, but I'm sorry, if there is not development, there is not friendship. Even more when she is literally THE PRINCESS OF FRIENDSHIP.

OK, you might think that I hate this movie. Well, I don't. Like I said, is an OK film. I have seen this in theaters and the experience was OK, nothing remembering or shameless. I went whit my twin brother (Who has seen some episodes of the series and want it to watch this so he can't stop of watching CGI in animation for a while) and there were a few people out there, like 5 or 6 persons. To give it credit, it is funny actually. Not as hilarious as the series, but it is funny. There's a joke in the climax that made me laugh so hard that everyone in the theater also laugh hard, even my twin brother. The songs are pretty catchy and fun to hear like "We got this together", "Time to be awesome", "Open up your eyes" and "Off to see the world". It's a fun musical, but no the best. The animation is beautiful to look at it. The colors, the sets, the character animation, the movements, it has CGI fake in the backgrounds but they weren't annoying. Most of the characters are fun, even Twilight and some of the new are nice like Tempest, Capper and the pirates. The best parts of the movie are whit Rainbow Dash and Spike, and even Rarity, they made me laugh a lot. In the series, they are interesting characters, and here they're funny as hell giving some of the best lines in the film and every scene when they talk (Even Spike, the best character of the series) it was so good to hea. The score made by Daniel Ingram is pretty good, I wish there's a score for hearing it all. The voice acting is great. The climax is fine. And this movie brings back what Walt Disney Pictures use to do. Maybe if this was released in the 80's I would forgive it, but since it released in 2017, there's nothing to said other than find his issues on his second act and the fact that this could be better.

So overall, the movie is fine. It's an OK film that bronys and pegasisters will love to death, it manages what they want, some of the fans can be disappointing, it depends of their opinions. Maybe if the writing was more funny and creative and less predictable and cliche, this could be a good movie, maybe a better one. But I know the director had fun, the writers had fun, everyone who made the film had fun, so I won't step back and said they ruined, it could be a lot worse. Maybe I was expecting more of it, but at least is not disappointing like the LEGO Ninjago Movie. If you had a girl or girls in general, they might love this movie, more if they're fans of the franchise. For everyone who hates My Little Pony, they're not force to look this as a obligated film to watch. For everyone else, if they're interest in it, I said go and check first the series made by Lauren Faust so you can understand the world and the characters for it. 6/10. While the main characters appear to have been given a bit of Powerpuff Girl sass by screenwriters Meghan McCarthy, Rita Hsiao and Michael Vogel, it ultimately does little to goose the limited hand-drawn 2D animation.


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Gambler Jake Green enters into a game with potentially deadly consequences.

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original title: Revolver

genge: Action,Crime,Drama,Mystery,Thriller


imdb: 7.3

duration: 1h 51min

tags: Your mind will not accept a game this big


keywords: gambling, casino, prison, flashback, disease, cash, doctor, boss, loanshark, breasts, shakycam, dutchangle, snappingfingers, thecolorred, twin, wreath, whispering, tanningroom, safe, runningforyourlif

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Il giocatore Jake Green entra in gioco con conseguenze potenzialmente mortali. 鏤Dopo sette anni in isolamento, Jake Green viene rilasciato dalla prigione. Nei prossimi due anni, accumula un sacco di soldi giocando d'azzardo. pronto a cercare la sua vendetta su Dorothy (Mr. D) Macha, un proprietario di casin嘆 incline alla violenza che ha mandato Jake in prigione. Umilia Macha di fronte ai luogotenenti, alle foglie e alle chiglie di Macha. I medici gli dicono che ha una malattia rara e morir in tre giorni; Anche Macha lo colpisce. Gli squali di prestito, Zack e Avi, richiedono il denaro di Jake e la completa fedelt in cambio di protezione. Jake obbedisce, e attraverso la narrazione e i flashback, lo osserviamo attraverso almeno tre giorni di schemi, pericolo e redenzione. Chi 竪 il suo pi湛 grande nemico? Avendo scoperto l'indiscutibile brillantezza di Guy Ritchie durante una proiezione di Snatch, e l'ho confermato dopo aver visto Lock, Stock e Two Smoking Barrels, non vedevo l'ora di essere un vero schifo con Revolver come con i suoi due film precedenti. Ma non lo ero.

Non 竪 che fosse un film orribile, mancava semplicemente lo stile atteso che gli altri avevano.Angoli di ripresa frenetici e tinte pallide sono stati sostituiti da una tecnica preferita e (a mio avviso) un po 'sperimentale: uso estremo di primi piani, colori vivaci, una colonna sonora deludente ... La trama era piatta e le svolte assolutamente prevedibili (che, a mio parere era l'aspetto pi湛 schifoso del film). Anche se la prima met del film era quasi decente, l'abominevole monologo interiore doloroso e lungo che regnava sulla conclusione del film mi faceva guardare troppo spesso il mio orologio. Inoltre, come fan del genere del film gangster, mi aspettavo molto dalla presenza di Goodfella Ray Liotta e Soprano Vincent Pastore. La performance pi湛 grande, tuttavia, non era la loro n辿 quella dell'attore feticcio di Ritchie, Jason Statham, ma quella di Andr辿 3000 di Outkast.

Per quanto riguarda il costante confronto tra Ritchie e Tarantino, beh, l'unico comune aspetto che ho trovato 竪 che entrambi sembravano inciampare nel loro terzo film (Jackie Brown non era eccezionale).

Ehi, vale comunque la pena di guardare. L'unico modo per giudicare correttamente un film 竪 vederlo per te stesso. Immagino che se non ti aspetti molto, il film sar sempre meglio che se ti aspetti troppo. Lezione appresa. Finalmente ho visto Revolver l'altra sera e non sono ancora sicuro se mi piacesse o no.

C'erano parti che mi sono piaciute molto e c'erano parti che ho trovato decisamente fastidiose. Non sono sicuro di cosa stesse combinando Guy Ritchie qui. Penso che volesse realizzare un film che avesse un messaggio invece di fare solo uno dei suoi film normali.

Il problema 竪 che mi piacciono i suoi film normali. Odio sempre quando un regista cerca di inviare un messaggio con un film invece di cercare di raccontare una bella storia.

Penso che se Ritchie fosse rimasto fedele alla sua formula, Revolver avrebbe potuto essere buono come Snatch e Lock, Stock e Two Smoking Barrels. Invece, otteniamo una trama contorta e contorta che finisce per venir fuori come pretenziosa.

C'erano parti di Revolver che potrebbero aver salvato il film per me. Il primo fu Mark Strong come il sicario. Era cos狸 bello e accattivante in ogni scena. Volevo pi湛 di lui. facilmente uno degli uomini pi湛 duri che abbia visto da tanto tempo.

L'altro 竪 Jason Statham. Lo amo in quasi tutti i film e d un'altra grande esibizione qui. Fa del suo meglio con il materiale troppo complicato e lo rende guardabile.

Solo i fan pi湛 accaniti di Ritchie dovrebbero guardare Revolver. Tutti gli altri dovrebbero stare alla larga. Lo stile pretenzioso del film e la trama frammentata precludono ogni coinvolgimento del pubblico nel coy melodramma.


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鏤Duncan salva la vita del presidente Hamad, un politico in visita, il cui assistente 竪 Immortal Kassim. Ma si scopre che Kassim stava organizzando l'assassinio del crudele Hamad per permettere a Nasir, discendente dei re moreschi di Kassim, di assumere il governo. Ora Kassim vuole che Duncan uccida Hamad per ripagare un vecchio debito che Duncan gli deve.


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original title: Angrier Neighbors: Open House

genge: Short,Action,Comedy



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Cole must protect Kite, a young boy alone in the city, as Mandilok, the new Org General, discovers a taste for new buildings.

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original title: Homecoming

genge: Action,Adventure,Crime,Family,Fantasy,Sci-Fi,Thriller



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鏤Cole deve proteggere Kite, un giovane ragazzo da solo in citt, mentre Mandilok, il nuovo Org Generale, scopre il gusto per i nuovi edifici.


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